Seated Male Nude (Self-Portrait) (1910)
by Egon Schiele
Leopold Museum
As a lone survivor, this work of art is one of the last
remaining pieces from a series of five large figure studies Schiele did in
1910. In the piece Seated Male Nude (Self
Portrait) shown above, Egon Schiele depicts himself as a bare and
unprotected figure alone on a white picture plane. The reasoning behind this choice
of composition could correlate with the artist’s separation from former mentor
artist Gustav Klimt, another renowned painter from Austria. At this time,
Schiele had completely stripped himself of his past techniques of painted he
examined and learned from Klimt, and has produced his own mark. A mark focusing
mostly on line and geometrical forms, but a mark that could express vulnerability,
curiosity, confusion, sexual tension, and has just an overall uncomfortable
aura. In his portrayal of the Seated Male
Nude, Schiele incorporates all those qualities within one piece, that fact
that it was a self-portrait is interesting in itself. The sitting figure can be
seen as vulnerable with the decision of having the legs lay comfortably open,
and the figures arms in a relaxing state. That same limb placement can create
sexual tension between the viewers and this depiction of Schiele. Along with compositional factors, the delicate attention to the breast and areolas create a sense of
unbalanced gender identity and leave the viewers curious, and perhaps uneasy. The
figure also seems trapped within the piece itself which could be commenting on Schiele’s
personal thoughts of life, or art during the time.
Photo & Information Credit
“Egon
Schiele, Seated Male Nude (Self-Portrait)” Masterpieces of the Collection The
Leopold Collection Leopold Museum <http://www.leopoldmuseum.org/en/leopoldcollection/masterpieces/35>
(April 23, 2016)
Schroder, Klaus A &
Sceemann, Harald. Egon Scheile and His Contemporaries – Austrian Painting and Drawing
from 1900 to 1930 from the Leopld Collection, Vienna. New York: Neues Publishing
Company.,1989.
Short, Chris. Scheile.
New York: Phaidon Press Limited., 1997.
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